41 Emotions as Expressed through Body Language

cassieisnotapie:

Found Here x

41 Emotions as Expressed through Body Language unique 
This list, while exhausting, is soooo not exhaustive; it barely scratches the surface. And each entry could easily become cliché (if it isn’t already). But, it should be enough to get you started. Want more? Start watching people (not in a creepy way), and take notes of what they seem to do when expressing different emotions. Your repertoire of expression will double in no time. PS—do not use these for actual, real-life body language reading; you will fail. These are strictly novelistic.

Awed 
-Slack
-jawed, raised eyebrows, staring 
-Frozen, slack body language (Self? What self? There is only Zuul.
-Take a step back and put a hand to his heart

Amused 
-Smiling and throwing back her head laughing 
-Slapping her thighs, stamping her feet, clapping her hands 
-Shaking her head (That’s so wrong!)

Angry/Aggressive 
-Sharp movements, like shaking a fist, pointing, slashing, or slamming a fist on a table 
-Flushed face, patchy red blotches 
-Tension in neck—chords standing out, veins throbbing—and jutting or tucked chin 
-Arms akimbo, or clenching fists 
-Entering someone else’s space and forcing them out 
-Poofing up with a wide stance (I am big! Very big!), arms wide (Bring it!
-Lowered eyebrows, squinting eyes 
-Teeth bared, jaw clenched, snarling

Annoyed 
-Pressing lips together into a thin line 
-Narrowing eyes sometimes with slight head tilt (Why do you still exist?
-Rolling eyes, often paired with a long-suffering sigh

Anxious 
-Fidgeting, such as tearing grass into little pieces, playing with a ring, or chewing on a pencil 
-Biting lower lip, swallowing unnecessarily 
-Quickened breathing or holding breath 
-Darting eyes 
-Pallor, sweating, clammy palms 
-Unusually high-pitched, “nervous” laughter 
-Hunched shoulders 
-Pacing

Attentive 
-Slow head nodding with a furrowed brow 
-Leaning forward, toward the speaker, and sitting up 
-Taking notes 
-Looking over the top of her glasses

Bored 
-Resting his head on his palm, peeking out between the fingers, maybe even slipping so his head “accidentally” hits the table 
-Tapping toes, twirling pencil, doodling, and otherwise fidgeting 
-Staring out a window, or at anything remotely more interesting (Which is everything …)

Confident 
-Arms clasped behind body 
-Head lifted, chest out, standing tall 
-Walking briskly and making firm, precise movements

Confused 
-Tilting head with narrowed eyes 
-A furrowed brow 
-Shrugging

Contempt/Superiority 
-Lifted chin (The better to look down the nose.
-Pursed lips, sneering, slight frown 
-Circling a shoulder, stretching her neck, turning away—anything to indicate she doesn’t see the person as a threat or worthy of her attention 
-Grabbing her lapels, or tucking her thumbs in her waistcoat (See this clothing? It is much nicer than yours.
-Dismissive hand-waving

Cynical/Sarcastic/Bitter 
-Twisted lips or a half-smile 
-Sneering, sometimes with shaking the head and other defensive body language 
-Pressed lips with a slight frown 
-Eye rolling

Defensive 
-Crossed arms, legs, crossed anything, really (Well, maybe not fingers … or eyes …
-Arms out, palms forward (Stop!
-Placing anything (sword, shield, book, backpack) in front of her body

Disgusted 
-Crinkling his nose 
-Curling his lip and/or showing the tip of his tongue briefly 
-Flinching back and interposing a shoulder or turning away 
-Covering his nose, gagging, and squinting his eyes shut—hard—for a moment. (It assaults all the senses.)

Displeased 
-A plastered-on fake smile (You suck; but I can’t tell you that. So here: a fake smile! Enjoy.) 
-Pouting or frowning (I’ll cry if you don’t give me what I want—don’t test me, I will!
-Crossed arms and other defensive/frustrated body language (I will not let that terrible idea influence me!)

Distressed 
-Wide eyes and shallow, rapid breathing 
-Beating the walls, or huddling into a corner 
-Clasping hands over his head protectively 
-Rocking himself 
-Handwringing 
-Running his hands through his hair

Earnest/Passionate 
-Leaning forward, nodding, wide eyes with strong eye contact and raised eyebrows 
-Hand on heart, or presented palms-up, or otherwise visible 
-A double-handed handshake (really want to make sure you understand me!)

Embarrassment 
-Blushing 
-Stammering 
-Covering her face with her hands or bowing her head (I’m so embarrassed, I can’t look!
-Difficulty maintaining eye contact, looking down and away

Excited/Anticipation 
-Rubbing hands together (I can’t wait to get my hands on it!
-Licking lips (It’s so close I can taste it!
-A vigorous, pumping handshake (I can’t wait to get started!
-Jumping up and down (Look at me being literal here! I am jumping for joy.) 
-A wide and easy grin

Flirty 
-Eye play, like winking, looking up through the lashes, over the shoulder glances, and eye catching  
-Preening, like hair flipping or smooth, clothing straightening, spine straightening, etc. 
-Striking a cowboy pose, with his thumbs gripping his belt tight

Frustrated 
-Shaking his head (You are so wrong!
-Massaging temples (My brain—it hurts.) 
-Clasping his wrist in his opposite hand, behind his back (Bad arm! No biscuit.
-Running his hands through his hair (All this frustration is making my hair mussy. I can feel it.) 
-Grabbing onto something like armrests, or white-knuckled interdigitation (Restrain yourself!)

Happy 
-Smiling and laughing 
-Eyes and nose crinkling 
-Swinging her arms, spinning loosely, dancing, jumping

Impatience 
-Quick head nodding (Get on with it!
-Toe/finger tapping (Hear this? These are seconds. Wasted. Listening to you.
-Sighing, checking the clock/sundial/freckles (Time. It is moving so slowly.)

Jealous 
-Tight lips, or a sour expression 
-Narrow eyes locked on the perpetrator, to the point of a stare down 
-Crossed arms, and additional frustrated, angry, possessive, or bitter body language

Lying 
-Scratching their nose, ear, neck, miscellaneous part of face 
-Sudden change in behavior or demeanor, including shifty eye contact, lots of long blinking, shrugging
-Ill-timed smiles or laughter (This is how I normally smile, right? Right???
-Additional anxiety body language 
-Shaking head no while saying “yes” (I can’t believe I just lied.
-Licking lips, covering mouth, touching mouth, etc.

Overwhelmed 
-Both palms to forehead, fingers splayed (This gives me a headache.) 
-Covering eyes with one hand (If I can’t see the world, it can’t see me …
-Eyes wide and staring into space, hands gripping the table in front of her (… Woah.)

Playful/Friendly 
-Winking 
-Waggling eyebrows 
-Tiny shoves or nudge

Pleasure 
-Head tilted back, lips parted slightly, eyes wide or closed 
-Slow, languorous movements, stretching (such as arching her neck or back) 
-Slight flush, quickened breath and pulse

Possessive 
-Handshake with arm clasp 
-Putting hands on or around someone’s shoulders, neck, waist, back, or even just the wall near them 
-Standing in someone’s personal space, body positioned toward that person 
-Any one-sided act of intimacy, like running a knuckle down someone’s cheek 
-Staring down any who get too close

Proud/Dominant 
-Chin up, chest out, shoulders back 
-A painfully hard handshake that not only squishes the bones, but also forces his hand on top 
-Leaning back with his hands behind his head, and his feet up 
-Strong, unblinking, focused eye contact

Reluctance/Resistance 
-Arms crossed, sometimes with fists (Not happening.) 
-Dragging feet (But I don’t wanna!) 
-Pinching nose (You want me to do what now?) 
-Clamping hands over ears (La la la la!)

Sad/Upset 
-Droopy body (and anything held, like a sword), bowed in shoulders, wrapping arms around self 
-Slow movements with hesitation 
-Bottom lip jutting out and/or quivering 
-Crying, sobbing, body shaking, sniffling, wet eyes

Secretive 
-A tight-lipped smile (My lips are zipped.
-Hiding her hands in her pockets (What has it got in its nasty little pocket?) 
-Looking away

Scared 
-Hunched shoulders, shrinking back from others (Don’t hurt me!
-Wide eyes and lifted eyebrows (The better to see them coming.
-Shaking, trembling, or freezing 
-Rocking from side to side, sometimes holding self (It’ll all be okay, self, it’ll all be okay.)

Shame 
-Slumped shoulders (Don’t look at me.
-Trouble meeting your gaze, looking down and away 
-Burying her face in her hands or bowing her head (I can’t face the world right now.)

Shocked 
-Hands covering her mouth, or mouth hanging open, sometimes with a gasp (If I had words, I would be saying them.)
-Freezing and staring with wide eyes and eyebrows raised (Diverting all resources toward staring.) 
-Smacking a palm into his forehead (Clearly, my head isn’t working right, or I wouldn’t have seen that)

Shy 
-Avoids eye contact, or has only fleeting eye contact (Eye contact means you might speak to me.) 
-Keeps a fair distance from everyone, and will back away if someone steps closer (Space invaders!
-Folded arms, head down, and other defensive body language (If I make myself small, they can’t see me.)

Smug 
-Slight, close-lipped smile (occasionally one-sided) and sometimes one raised eyebrow (I know something you don’t know.
-Chin slightly tucked, Mona Lisa smile, raised eyebrows (I know better.) 
-Finger steepling (I am so smaaaht.)

Suspicious/Skeptical/Disbelief 
-Narrowed eyes, sometimes with a sidelong glance or raised eyebrow (Perhaps if I look at it out of the corner of my eye, I will catch it unawares.
-Rubbing his eyes (I can’t believe what I’m metaphorically or literally seeing!
-Shaking his head (I—I don’t believe it.
-Blowing out cheeks (Well , I don’t know …)

Tired 
-Rubbing his eyes, eyes staring into space, raised eyebrows (Raising my eyebrows helps keep my eyes open.
-Yawning and/or stretching (I am tired—see? Tired! Too tired to care!
-Almost nodding off and jerking awake (Cannot. Stay. Awa—snnnnurzzzz.) 
-Gritting teeth to stay awake (Cannot—yawn—dang it!)

Thoughtfulness/Thinking 
-Steepling fingers (I will think better if I center myself and focus.) 
-Pinching nose, sometimes with closed eyes (Focus, focus—I just need to focus.
-Tugging on an ear (This will help me remember!
-Stroking a real or imaginary beard (People with beards look smart.) 
-Furrowed brow, narrowed eyes, sometimes tilted head and pressing lips together (I can’t see it—I will try harder!
-Resting his chin on his hand (Thinking makes my head heavy.)

Triumphant 
-Hands clenched and held above head while grimacing (She is invincible!) 
-Head tilted back with a yell (She is fierce!
-Arm pumping in the air, jumping (Woohoo!)

Attention ALL artists!

sheodraws:

You sure have seen this post. It has spread like wildfire over the past few days so I doubt there is any artist out there who hasn’t seen it. But even if you didn’t, you should read on because I’m about to tell you a handy little thing that can help you to protect your art from such assholes as the anon who submitted this bullcrap, as well as art thieves in general.

The magic word is Metadata.

Metadata is like an invisible signature that is embeded into a file. It can contain all kinds of information, like Title, date, keywords for online seach engines, and copyright information. And the best thing is, since this information is “hidden” in the code of your picture, it’s hard to remove it.

There is a nice basic tutorial on how to add Metadata, or “additional file information” to your images in photoshop. It’s really, really easy so check it out!

“Adding Your Contact And Copyright Info To Your Photos With Photoshop” on PhotoshopEssentials.com

I’m not sure if you can do the same with any other art program. If you know how to do this in other programs / can confirm that it works the same way there, please tell me so I can add the information to this post.

Adding the Metadata will not stop foul carrots from taking and reposting your art. It also won’t make them stop editing out your signature. It WILL however, help you prove that you are the original artist whenever you have to.
Always remember my friends. You, the artist, are protected by law. No one has the right to take your intellectual property and hard work and repost, use or edit it without your permission. Ever.

EDIT: Thanks to the many people who added their comment to this! I’d like to add a few things that may be helpful:

  • LOOK HERE for more info on how to add metadata with Windows / Without photoshop! (Thanks, Humbird0!)

  • “in GIMP you can add copyright information using File > Properties.
    Should bring up a window where you can enter title, author, description,
    copyright, etc.”

    (Thanks to Pyrotogepi!)

  • Appearantly,
    the metadata works for all the adobe products in CC

    and can also be added via Adobe Bridge, which is free!

  • Please note that of course, metadata is not a 100% foolproof way to protect your art. There are ways to remove it. But adding it won’t hurt you and means more work for those who are desperate to erase any traces of the original artist. So yeah, don’t rely on metadata alone. Use a signature and watermark too.
  • And on another note, please, for the love of spagetti jesus, don’t send hate to the Drama Rising blog. The post I linked was not made by the person who runs the blog. As I said, it was submitted to the blog by an anon.

crowguts:

this was gonna be a tutorial and i guess it still is but if anything it’s just a really long and drawn out “essay” on drawing people with epicanthic folds. one of my biggest pet peeves is people drawing asian people exclusively with the same type of eye they’d give white people or anyone else who typically doesn’t have the fold! however i know that most people are taught with the standard white person eye (google image search for “eye” and it’ll all be pictures of white people’s eyes) so learning to draw epicanthic folds is a consciously learned thing. 

therefore i bring you this, which attempts to break the mechanics of epicanthic folds down into something that’s a bit easier to digest and implement in your own art! 

style can be argued i guess but it’s not that hard to stylize eyes with folds if you do proper observation and research. eyes with epicanthic folds are as diverse as eyes without so it’s not like you have to adhere to a strict model for them (although many people think that you have to) and all it takes to distinguish the two in stylized art (and even in semi/realism once you think about it) is a few lines! like i said this is a learned process but it’ll make your asian characters (and characters of other races even) a bit more interesting and believable.